Saturday, 23 January 2016

The Film Industry (Documentary)

Production

  • Producer- finds the idea, gets the script, director, cast, money, make it, gets it ready and out. Protects the director's idea
  • Choose Idea and Script- explores an idea consistently and truthfully. What is the script referencing? Beginning, middle and end. Instincts and knowledge help
  • Package- Producer and director plan- screenplay, key crew, budget, cast----> helps make a judgement
  • Investment- television companies, regional film field, groups of potential financiers 
  • Foreign Investment- look for co-production deals, more investors= more control, package will tell you where to look 
  • Planning- what are the hardest scenes? Do them first. Casting next. Find people on the same page
  • Budget- all film is based on investment, finance plan, analysis of the script to make it
  • Above and Below the Line Costs- Above= creative costs= key crew, stuff to tell the story. Below= stuff to make the story
  • Audience- think of the audience, definable but not formulaic
  • Marketing- hidden cost, is there a marketable place for it. America- films are not greenly without an audience being thought of. Britain= production led
The role of a distributor
  • Who? Why? How?- promotion is important- arrive at the cinema knowing what you want
  • Major vs Independent Distributor- M= makes films. I= buy films
  • USP- find it= easier to market. Cast, genre thought of
  • Target Audience- core audiences= families and younger adults
  • When to release?- what will give it the best chance?
  • Research- demographic audiences, ideas, what do audience want
  • Budget- experience and guesswork, what can the movie take at the box office ------> how much to spend to get it there
  • Advertising/ Publicity- advertising (media), promotion, premiere, actors=star tour
The Campaign
  • The Public- stimulated by 200 things by the time they get to work. Looking at the parts to formulate the plan
  • The Poster- sell the concept and the genre, first look, stepping stone campaign
  • The Trailer- most important key, first and only look= teaser- first, main- tell you the film is out (voice over vs captions, depend strongly on genre
  • Foreign Language Films- cover up it's a foreign language film in the trailer
  • TV Spots- film title, who's in it, when is it on- pick a piece of film to put in
  • The Internet- viral marketing, official websites
  • Publicity- PR and press, free editorial space
  • Reviews- how a film has been reviewed generally
  • Tracking- what percentage of people are aware of it
  • Word of Mouth- most powerful marketing strategy ------> previews- advanced screenings
  • Opening Weekend- opening day (Sunday), Saturday, Sunday- Monday is make or break
Exhibition
  • 2007- highest point in 40 years
  • Multiplex Cinema- important change in cinema
  • Location- don't mind driving to the movie, parking then needs to be good
  • Which Films?- specialised- hollywood, art house, independent, world -----> movies people want to see. Cater to different groups. Personal vs commercial
  • Audience- actual and potential, local market business, qualities of the cinema are important, specialised taste but a market
  • Digital Cinema- embrace new technology- 3D, streaming, votes. Young audience and old audience. Events out of home experience- no substitute
Piracy
  • Hurts production/distribution/exhibition- millions in lost revenue
  • Who Loses- cinema, production company, smaller parties suffer most
  • Changing World- appalling quality, streaming online, copy DVDs, computers, DIY piracy
  • Consequences- makes a difference, not victimless. Bigger budgets are fine, less will be affected. DVD sales are important
  • Attack- educational outreach

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